“I Shall Soon Be With You Again”: A Letter Written Aboard the Titanic
Steward Jack Butterworth mailed this letter to his fiancee from Queenstown, the Titanic’s last port of call. It leads the ocean liner lots in this fall’s sale, with a real photo postcard of the ship and an 1897 document signed by Captain E. J. Smith.
Weiss Auctions EditorialTitanic & Ocean Liner HistoryUpdated October 2026
The Offering
The Last Mail Off the Titanic
Almost nothing written aboard the Titanic survives. What does is the mail that left the ship, and the last of it went ashore at Queenstown, Ireland, on April 11, 1912.
One of those letters was written by Jack Butterworth, a 23-year-old first class saloon steward, to his fiancee in Southampton. Four days later he was lost with the ship. His letter leads the ocean liner lots in Weiss Auctions’ Fall Historical Auction, alongside a real photo postcard of the Titanic and a document signed by her captain, E. J. Smith.
Quick Answer
What Titanic items are in the Fall Historical Auction?
The ocean liner lots are led by a two-page handwritten letter headed “RMS Titanic, Queenstown,” April 1912, from steward Jack Butterworth to his fiancee May Hinton, offered with his portrait postcard. They also include an “S.S. Titanic” real photo postcard showing the liner at Southampton and an 1897 SS Majestic Certificate of Discharge signed by Captain E. J. Smith.
The Headliner
A Letter Home from the Maiden Voyage
Jack Butterworth’s letter from the Titanic, mailed at Queenstown.
Butterworth headed his two-page letter “RMS Tiatanic. Queenstown 12th Apl 1912.” He was writing in a hurry: the ship’s name is misspelled and the date is off by a day, since the Titanic called at Queenstown on April 11.
A Firsthand Account of the New York Near-Collision
He opens with the incident that almost ended the voyage at the dock, in what could be the most important firsthand account of the near-collision with the New York. As the Titanic left Southampton, the liner New York broke her moorings and swung toward her. “You could have tossed a penny from our ship to her she was so close,” he wrote.
The rest is for May: “I shall soon be with you again all being well.” His postscript asks her to write ahead to Plymouth, the first port on the return crossing, and to send a football paper.
Page OneHeaded “RMS Tiatanic. Queenstown”
Page TwoSigned “Yours Always, Jack”
Jack ButterworthPortrait postcard, offered with the letter
Select an image to view it full size.
Read the full letter
RMS Tiatanic. Queenstown 12th Apl 1912
My Darling Girl,
We have been having a very fierce time in this steamer. I suppose you heard of the accident that occured to the New York as we sailed this ship carried so much water between the Oceanic & New York that the York broke all her ropes & sailed all on her own, you could have tossed a penny from our ship to her she was so close, it was a good job she did not hit us as it would have been another case of the Hawke colis. Well dearest how do you feel, pretty lonely I guess after me being home for so long, but still we cannot grumble my dear as we have had a real good & happy time & I am so happy to think everything is alright. Well there is one consolation about it I shall soon be with you again all being well.
We do really enjoy ourselves when I am home, well I do not see why we should not anyhow, & again I think it does us both good for me to go away for a little stretch don’t you dear?
There are quite a lot of American Line men here so it is a little better for us to see a few old faces. Our shore stwd. was aboard yes’day before we sailed & he saw me, so he said “hello have you signed here” so I said yes! & then he said see & come back in time for your own ship, so of course I thanked him & said yes, which I may do if things do not turn out good here. Well now close sweetheart take care of yourself dear love to all at home & fondest love to yourself dearest
Yours Always Jack.
Dont forget Plymouth & a football paper
Delivered on Her Twenty-First Birthday
Butterworth did not come home. His body was recovered by the Mackay-Bennett and buried at sea on April 24, 1912. According to Encyclopedia Titanica, the letter reached May Hinton on April 20, her 21st birthday, the same day White Star Line told her he was not among the survivors.
The letter and portrait were sold together at Christie’s in 2003.
The Ship
RMS Titanic Southampton Real Photo Postcard
This original photographic postcard, captioned “S.S. TITANIC.”, shows the liner from the bow at her Southampton berth with signal flags flying from her rigging. The Titanic was dressed in flags on Good Friday, April 5, 1912, five days before she sailed. It is widely described as the only time she ever was.
The card was mailed from Southampton, with a King George V halfpenny stamp and a handwritten message on the reverse.
The liner dressed in flags at Southampton.
Reverse, with Southampton cancel.
The Captain
Titanic Captain E. J. Smith Signed 1897 Document
Fifteen years before the Titanic, Edward John Smith was captain of the White Star liner SS Majestic. This 1897 Board of Trade Certificate of Discharge bears his signature, “E. J. Smith,” on the master’s line.
It was issued to a 24-year-old Glasgow-born fireman after a New York voyage, with Very Good ratings for conduct and ability. Smith died in the Titanic disaster on April 15, 1912.
Certificate of Discharge, SS Majestic, January 1897, signed “E. J. Smith” as Master.
Also in the Sale
More Ocean Liner Lots, Aviation and Entertainment
These are not the only ocean liner lots in the Fall Historical Auction. The sale of nearly 500 lots also features aviation and space autographs led by Neil Armstrong, and entertainment memorabilia led by a signed 1968 Jimi Hendrix recording contract.
The Butterworth letter and portrait, the Titanic postcard and the Captain Smith signed document will be offered in the Fall Historical Auction. Sale dates, lot numbers and bidding links will be posted shortly.
Jack Butterworth was a 23-year-old first class saloon steward on the Titanic, engaged to May Hinton of Southampton. He died in the sinking. His body was recovered by the Mackay-Bennett and buried at sea on April 24, 1912.
Why is the letter dated April 12 when the Titanic was at Queenstown on April 11?
Butterworth headed the letter “RMS Tiatanic. Queenstown 12th Apl 1912,” misspelling the ship’s name and misdating it by a day. The Titanic called at Queenstown on April 11, 1912.
What is the Captain Smith signed document?
It is an 1897 British Board of Trade Certificate of Discharge from the White Star liner SS Majestic, signed “E. J. Smith” as Master. Edward John Smith commanded the Majestic in the 1890s and later commanded the Titanic on her maiden voyage.
Are the Titanic items sold together?
No. The Jack Butterworth letter is offered with his portrait postcard. The “S.S. Titanic” real photo postcard and the 1897 SS Majestic discharge certificate signed by Captain E. J. Smith are separate lots.
When will these items be auctioned?
They will be offered in Weiss Auctions’ Fall Historical Auction. Sale dates, lot numbers and bidding links will be posted shortly.
Now Accepting Consignments
Have Titanic, White Star Line or Ocean Liner Memorabilia to Sell?
Weiss Auctions evaluates individual pieces and complete collections for upcoming auctions. Submit your material for a free preliminary auction evaluation.
From Kitty Hawk to the Moon: Neil Armstrong and the Aviation & Space Autographs of the Fall Historical Auction
Neil Armstrong signed items lead the aviation and space material in this fall’s sale, joined by Apollo 11 and Apollo 8 crew-signed pieces, a Mercury 7 signed cover, a Wernher von Braun signed V-2 letter, Christa McAuliffe, Orville Wright, Medal of Honor ace Edward “Butch” O’Hare and more.
Weiss Auctions EditorialAviation & Space HistoryUpdated September 2026
The Offering
Sixty-Six Years of Flight, Told in Signatures
Orville Wright flew for twelve seconds at Kitty Hawk in 1903. Neil Armstrong stepped onto the Moon in 1969. This fall, both of their signatures are in the same sale.
Weiss Auctions’ Fall Historical Auction brings together one of our deepest groups of aviation and space material to date. It is led by Neil Armstrong signed items, including a NASA spacesuit portrait, a TIME “Man on the Moon” issue and two Apollo 11 crew-signed pieces, and it traces the full story of flight: the Wright brothers, Charles Lindbergh, the naval aviators of World War II, the V-2 rockets that opened the space age, the Mercury 7, Apollo 8 and the Space Shuttle era.
The material comes from several collections, giving bidders a wide range of names, eras and price points, and many of the signed pieces have been authenticated by Steve Grad.
Quick Answer
What aviation and space items are in the Fall Historical Auction?
Highlights include a Neil Armstrong signed NASA portrait, a Neil Armstrong signed July 25, 1969 TIME magazine, an Apollo 11 crew-signed NASA Mission Report, an Apollo 11 crew-signed “First Man on the Moon” stamp block, a NASA photograph signed by Armstrong and Collins, an Apollo 8 crew-signed first day cover, a Mercury 7 signed cover, a Wernher von Braun signed 1946 White Sands V-2 letter, a Christa McAuliffe signed cover, an Orville Wright signed card, an Edward “Butch” O’Hare signed 1942 cover and Charles Lindbergh material.
The Headliner
A Rare Opportunity in Neil Armstrong Autographs
On July 20, 1969, Neil Armstrong became the first person to walk on the Moon. Few names in the twentieth century carry the same weight, and few autographs are pursued as seriously by collectors of space history.
Finding one authentic Armstrong signature in a sale is notable. This auction offers several, across a range of formats, giving collectors a rare chance to choose the Armstrong piece that fits their collection.
Signed NASA Spacesuit Portrait
The classic Armstrong image: his official NASA portrait in the Apollo spacesuit, helmet at his side and the lunar surface behind him, captioned “Neil A. Armstrong” in the lower margin. Armstrong signed boldly across the suit in the lower right.
Signed TIME Magazine, July 25, 1969
TIME’s “Man on the Moon” issue went to press in the days after the landing, with a painted cover of an astronaut beside the American flag on the lunar surface and Armstrong’s famous first words from the Moon printed along the bottom. Armstrong signed the cover in blue ink across the figure of the astronaut, pairing his signature with one of the defining magazine covers of the century.
Neil Armstrong signed NASA spacesuit portrait.Neil Armstrong signed TIME magazine, July 25, 1969 “Man on the Moon” issue.
Armstrong also appears on two Apollo 11 crew-signed pieces and a photograph signed with Michael Collins, covered below.
Why Armstrong Is Scarce
Why Authentic Neil Armstrong Autographs Are So Hard to Find
Armstrong’s autograph is one of the most difficult of any major American figure to acquire in authentic form. Several factors explain why.
He Stopped Signing in 1994
Armstrong was famously private. After returning from the Moon he largely avoided the spotlight, and by 1994 he had stopped signing autographs altogether, answering requests with a polite form letter. He is widely reported to have made the decision after learning that his signature was selling for large sums and that forgeries were circulating, though he never publicly explained it. The result effectively froze the supply of genuine Armstrong signatures, while demand has only grown since.
Secretarial Signatures and Autopens
During the NASA years, the volume of fan requests sent to the astronauts was enormous. Many photographs and covers that went out in that period were signed by secretaries or by autopen machines rather than by the astronauts themselves. These pieces can look convincing to an untrained eye, which is one reason careful authentication matters so much in this field.
One of the Most Forged Signatures in Collecting
Because of its value and fame, Armstrong’s signature is also among the most frequently forged in the autograph market. Experienced collectors buy Armstrong only with strong authentication and from reputable sources, and they pay a premium for pieces that meet that standard.
When Neil Armstrong stopped signing in 1994, the supply of his autographs stopped with him. Every authentic example on the market today is part of a fixed and shrinking pool.
Collector’s Note
Armstrong signed less often than most of his fellow astronauts even before 1994, so authentic signed pieces, and especially several in a single sale, surface infrequently.
Apollo 11
Signed by the Crew That Landed on the Moon
Pieces signed by all three Apollo 11 astronauts, Neil Armstrong, Buzz Aldrin and Michael Collins, are among the most desirable items in space collecting. This sale offers two, along with a photograph signed by Armstrong and Collins.
Weiss Auctions’ specialists regularly handle Apollo 11 material. In 2025, Jordan Weiss appraised an Apollo 11 crew-signed cover. Watch the appraisal on Facebook.
Apollo 11 Crew-Signed NASA Mission Report
NASA’s official Apollo 11 Mission Report (MR-5), dated 14 August 1969, features the iconic photograph of Aldrin standing beside the American flag on the lunar surface. It is signed on the cover by all three crew members: Armstrong at left, Collins beneath the Apollo 11 title and Aldrin at right.
Apollo 11 Crew-Signed “First Man on the Moon” Stamp Block
The 10-cent “First Man on the Moon” airmail stamp, issued in September 1969, shows an astronaut stepping from the lunar module ladder. This block of six, with the “Mail Early in the Day” margin at left, is signed across the stamps by Aldrin, Armstrong and Collins, putting the full crew’s signatures on the stamp that commemorated their own landing.
Apollo 11 NASA Mission Report MR-5, signed by Armstrong, Collins and Aldrin.“First Man on the Moon” stamp block of six, signed by the Apollo 11 crew.
NASA Photograph Signed by Armstrong and Collins
The sale also offers a NASA photograph signed by two members of the Apollo 11 crew, Neil Armstrong and Michael Collins.
NASA photograph signed by Neil Armstrong and Michael Collins.
The Space Race
The Mercury 7 and the First Crew to Orbit the Moon
Mercury 7 Signed Cover, 1961
America’s first astronauts, selected in 1959, became national heroes before most of them had even flown. This cover is postmarked Hampton, Virginia, on October 2, 1961, near Langley, where NASA’s Space Task Group trained the Mercury astronauts, and bears the 4-cent Echo I “Communications for Peace” stamp. It carries the signatures of all seven: Scott Carpenter, Gordon Cooper, John Glenn, Gus Grissom, Wally Schirra, Alan Shepard and Deke Slayton.
Complete Mercury 7 signed pieces are scarce, in part because Grissom died in the Apollo 1 fire in 1967. The Alan Shepard signature on this cover is an autopen; the other six are authentic. It is a good example of why expert review of astronaut material matters.
Mercury 7 material has a long history with Weiss Auctions. On Antiques Roadshow in Denver in 2009, Philip Weiss appraised a photograph signed by all seven Mercury astronauts, accompanied by paperwork from their original medical evaluations.
In December 1968, Frank Borman, Jim Lovell and Bill Anders became the first people to leave Earth orbit and circle the Moon. Anders’ “Earthrise” photograph from that mission became one of the most famous images ever taken, and it was reproduced on the 6-cent Apollo 8 stamp issued in Houston on May 5, 1969. This Fleetwood first day cover, cancelled on the day of issue, is signed by all three crew members.
Mercury 7 signed cover, postmarked Hampton, Va., October 2, 1961. Shepard signature is an autopen.Apollo 8 first day cover, Houston, May 5, 1969, signed by Borman, Lovell and Anders.
Where the Space Age Began
Wernher von Braun and the “First Object Retrieved from Outer Space”
Before Apollo, there was the V-2. After World War II, captured German V-2 rockets were launched from White Sands Proving Ground in New Mexico, with Wernher von Braun and his team assisting the U.S. Army. Von Braun would go on to lead the development of the Saturn V that carried Apollo 11 to the Moon.
This War Department, Ordnance Department letter on White Sands Proving Ground letterhead, dated October 30, 1946 and signed by First Lieutenant Alexander Szabo, public relations officer, certifies that the attached object was part of the “Mix-Computer” of a V-2 rocket fired at White Sands on October 24, 1946. The October 24 flight is widely remembered for carrying a camera that returned the first photographs of Earth taken from space.
The rocket fragment remains affixed to the page above a typed line calling it the “First Object retrieved from Outer Space.” Von Braun signed the letter in blue ink and, with a wry touch, drew an arrow to the fragment and added “quite obviously!” It is a remarkable piece connecting the man who built the Saturn V to the earliest days of American rocketry.
White Sands Proving Ground letter, October 30, 1946, with attached V-2 “Mix-Computer” fragment, signed and annotated by Wernher von Braun.
Teacher in Space
Christa McAuliffe Signed Cover, January 28, 1986
Christa McAuliffe, a high school social studies teacher from Concord, New Hampshire, was chosen from thousands of applicants to be NASA’s first Teacher in Space. On January 28, 1986, she and six crewmates were lost when the Space Shuttle Challenger broke apart shortly after launch.
This cover bears a “Teachers are the nicest people!” cachet with a Space Shuttle design and the 22-cent Public Education stamp, cancelled at Kennedy Space Center on January 28, 1986, the day of the launch. It is signed “S. Christa McAuliffe.” Because her time in the public eye lasted only a matter of months, authentic McAuliffe signatures are genuinely scarce, and pieces tied directly to the Challenger mission carry deep historical weight.
Christa McAuliffe signed cover, Kennedy Space Center, January 28, 1986.
The Beginning
Orville Wright: Where the Story of Flight Begins
On December 17, 1903, at Kill Devil Hills near Kitty Hawk, North Carolina, Orville Wright piloted the first sustained, controlled, powered airplane flight. It lasted about twelve seconds and covered roughly 120 feet. Everything else in this article traces back to that morning.
Wilbur Wright died in 1912, which makes his signature exceptionally rare. Earlier in 2026, Weiss Auctions handled one of the few known signed photographs of Wilbur Wright, which sold for just over $10,000. Orville lived until 1948 but remained a reserved figure who guarded his time and privacy. His autograph is the cornerstone of any aviation collection.
This card is signed “Orville Wright” in ink above a typed verse honoring the courage of the brave. It is paired with a plate number block of four 2-cent International Civil Aeronautics Conference stamps, which show the Wright Flyer and commemorate the December 12 to 14, 1928 conference in Washington marking the 25th anniversary of the first flight.
Orville Wright signed card with 1928 International Civil Aeronautics Conference plate block of four.
The Lone Eagle
Charles Lindbergh and the Flight That Shrank the Atlantic
On May 20 and 21, 1927, Charles Lindbergh flew the Spirit of St. Louis nonstop and alone from New York to Paris in about 33 and a half hours. The flight made him the most famous man in the world almost overnight and launched a wave of public enthusiasm for aviation.
That fame came at a steep personal cost. After the 1932 kidnapping and death of his infant son, Lindbergh withdrew sharply from public life and became well known for his reluctance to sign autographs. As a result, authentic Lindbergh signatures are far scarcer than his worldwide celebrity might suggest.
Medal of Honor
Edward “Butch” O’Hare: The Navy Ace Behind the Airport Name
Millions of travelers pass through Chicago’s O’Hare International Airport every year, but far fewer know the story of the man it honors. On February 20, 1942, Lieutenant Edward “Butch” O’Hare single-handedly attacked a formation of Japanese bombers bearing down on the aircraft carrier USS Lexington and was credited with downing five of them. He became the U.S. Navy’s first ace of World War II and received the Medal of Honor.
This special delivery airmail cover, postmarked Pensacola, Florida, in May 1942, is signed “E H O’Hare Lt Cmdr USN,” using the rank he received in the weeks after that action. It is franked with a block of 2-cent “For Defense” stamps and wartime airmail and special delivery issues, capturing O’Hare at the height of his fame.
O’Hare went missing in action during a night mission in November 1943, at just 29 years old. In 1949, Chicago renamed its Orchard Depot airfield in his honor. Because his fame and his life were both so brief, his signature is a genuinely scarce piece of World War II aviation history.
Edward “Butch” O’Hare signed special delivery airmail cover, Pensacola, May 1942.
At a Glance
Aviation and Space Highlights
The offering covers an unusually wide range of eras, names and formats, from a 1928 aeronautics card to a 1986 Space Shuttle cover.
Neil ArmstrongSigned NASA portrait and signed TIME, July 25, 1969
Apollo 11 CrewSigned Mission Report, stamp block, and Armstrong/Collins signed photo
Apollo 8 CrewBorman, Lovell and Anders signed first day cover
Mercury 71961 signed cover; Shepard signature autopen
Wernher von BraunSigned 1946 White Sands V-2 letter with rocket fragment
Christa McAuliffeSigned cover, Kennedy Space Center, Jan. 28, 1986
Orville WrightSigned card with 1928 aeronautics plate block
Edward “Butch” O’HareSigned 1942 special delivery airmail cover
Charles LindberghFirst solo nonstop transatlantic flight, 1927
And MoreAdditional aviation and space autographs
The aviation material is part of the Fall Historical Auction, a sale of nearly 500 lots that also features a signed 1968 Jimi Hendrix Warner Bros.-Seven Arts recording contract, music autographs including John Lennon, Otis Redding, George Harrison and Johnny Cash, presidential signed appointments, vintage fountain pens, tobacco jars and beer steins. Much more is still to come.
Coming This Fall
Bid on Neil Armstrong and Space History at Weiss Auctions
The Armstrong, Apollo, Mercury 7, von Braun, McAuliffe, Wright, Lindbergh and O’Hare material will be offered in the Fall Historical Auction. Sale dates will be posted shortly, along with lot numbers and bidding links.
Neil Armstrong stopped signing autographs in 1994. He never publicly explained why, but the decision is widely attributed to his signature selling for large sums and to forgeries circulating. Many NASA-era photographs were also signed by secretaries or autopen rather than by Armstrong himself, and his signature is among the most forged in collecting. Together, these factors make authentic Armstrong autographs scarce and highly sought after.
What Neil Armstrong items are in the Fall Historical Auction?
The sale includes a Neil Armstrong signed NASA spacesuit portrait, a Neil Armstrong signed TIME magazine from July 25, 1969, an Apollo 11 crew-signed NASA Mission Report, an Apollo 11 crew-signed “First Man on the Moon” stamp block and a NASA photograph signed by Armstrong and Michael Collins.
What Apollo and Mercury items are included?
Space race highlights include two Apollo 11 crew-signed pieces, an Apollo 8 first day cover signed by Frank Borman, Jim Lovell and Bill Anders, and a 1961 Mercury 7 signed cover. On the Mercury 7 cover, the Alan Shepard signature is an autopen; the other six signatures are authentic.
What is the Wernher von Braun V-2 letter?
It is an October 30, 1946 War Department letter from White Sands Proving Ground certifying that an attached object was part of the “Mix-Computer” of a V-2 rocket fired there on October 24, 1946. The fragment remains attached, and Wernher von Braun signed the letter and added a handwritten “quite obviously!” beside the typed line calling it the first object retrieved from outer space.
What is the Christa McAuliffe signed cover?
It is a “Teachers are the nicest people!” cover with a Space Shuttle design and 22-cent Public Education stamp, cancelled at Kennedy Space Center on January 28, 1986, the day of the Challenger launch, and signed “S. Christa McAuliffe.”
Who was Edward “Butch” O’Hare?
Butch O’Hare was a U.S. Navy fighter pilot who, on February 20, 1942, attacked a formation of Japanese bombers approaching the USS Lexington and was credited with downing five of them. He became the Navy’s first ace of World War II and received the Medal of Honor. He went missing in action in November 1943, and Chicago’s O’Hare International Airport was named for him in 1949. The sale includes a cover he signed as a lieutenant commander in May 1942.
When will these items be auctioned?
The aviation and space material will be offered in Weiss Auctions’ Fall Historical Auction. Sale dates will be posted shortly, along with lot numbers and direct bidding links.
Now Accepting Consignments
Have Aviation, Space or NASA Autographs to Sell?
Weiss Auctions evaluates individual pieces and complete collections for upcoming auctions. Submit your material for a free preliminary auction evaluation.
Jimi Hendrix’s Signed 1968 Warner Bros. Recording Contract
Executed on June 24, 1968, as the PPX Enterprises dispute was finally settled, this agreement helped define who controlled Hendrix’s recordings at the very height of his fame. It is signed in full by Hendrix on the execution page.
Weiss Auctions EditorialRock & Roll HistoryUpdated September 2026
The Document
A Recording Contract Signed at the Peak of Hendrix’s Career
Most Hendrix autographs turn up on an album page or a scrap of paper. This one sits at the bottom of the contract that governed his records.
The Artist Agreement is dated as of June 24, 1968, and made between Warner Bros.-Seven Arts Records, Inc. of 4000 Warner Boulevard, Burbank, California, and “Jimi Hendrix, also known as The Jimi Hendrix Experience,” care of Yameta Co. Ltd. on Bay Street in Nassau, Bahamas. Hendrix signed it in full on the execution page, directly beneath the countersignature for Warner Bros.-Seven Arts.
The complete agreement survives with numerous handwritten amendments, revisions and initials in another hand throughout. Two original Bahamas stamps remain affixed to the opening page.
Quick Answer
What is this document?
It is the complete June 24, 1968 recording agreement between Warner Bros.-Seven Arts Records and Jimi Hendrix, signed in full by Hendrix. It was executed as part of the resolution of the PPX Enterprises legal dispute and helped establish the recording relationship that governed Hendrix at the height of his fame. It is authenticated by Steve Grad, Autograph Grade 9 (Cert. No. GA-05694), with an additional favorable review by music autograph expert Roger Epperson.
The Backstory
How a 1965 Deal With PPX Enterprises Followed Hendrix to Stardom
Before he was a star, Hendrix was a working sideman in New York. In 1965, while playing with Curtis Knight, he signed a recording agreement with producer Ed Chalpin’s PPX Enterprises.
Within two years he had moved to London, formed the Jimi Hendrix Experience with manager Michael Jeffery and producer Chas Chandler, and signed the recording arrangements that put his records out through Warner Bros. in the United States. Chalpin maintained that the earlier PPX agreement still bound Hendrix, and the dispute drew in Capitol Records, which had released material from the Curtis Knight era.
The 1968 resolution untangled competing claims to his recordings, one of the most consequential business episodes of Hendrix’s career. As part of the broader settlement Capitol was entitled to an album of new Hendrix material. That obligation was ultimately fulfilled with Band of Gypsys in 1970.
This is the paperwork that sorted out who owned Jimi Hendrix’s music, signed by Hendrix himself.
Inside the Agreement
Every Major Player in the Hendrix Business Story, on One Contract
The contract’s recitals read like a cast list of Hendrix’s early career. They reference a Settlement Agreement dated June 24, 1968 among Warner, Hendrix, PPX Enterprises, Edward Chalpin, Curtis Knight, Yameta Company Ltd., Michael Jeffery, Chas Chandler (named under his given name, Bryan Chandler) and Capitol Records, along with a separate Sale Agreement under which Warner purchased, with Hendrix’s consent, certain agreements and rights from Yameta.
Parties and Companies Named in the Contract
Warner Bros.-Seven Arts RecordsContracting record company, Burbank, California
PPX Enterprises & Ed ChalpinParties to the 1968 Settlement Agreement
Yameta Company Ltd.Hendrix’s Nassau, Bahamas address of record
Michael JefferyHendrix’s manager, named in the Sale Agreement
Chas ChandlerProducer and co-manager, named as Bryan Chandler
Capitol RecordsParty to the Settlement Agreement
Names as they appear in the contract’s recitals. Curtis Knight is also named as a party to the Settlement Agreement.
From there, the agreement addresses recording obligations, master ownership, royalty provisions and distribution rights. Its first clause terminates the future application of all prior agreements between Warner and Hendrix other than the Sale and Settlement Agreements, and cancels future applications of the agreements between Yameta and Hendrix for the United States and Canada, including those arising under Hendrix’s agreement with Sue Records.
The agreement is governed by New York law, it binds the parties’ heirs and successors, and Hendrix may not assign his obligations without Warner’s prior written consent. That consent language was added by hand in the margin and initialed, one of several handwritten revisions visible throughout the document.
The opening page, dated June 24, 1968, with original Bahamas stamps affixed.The execution page, signed in full by Hendrix, with handwritten revisions and initials above.
Historical Context
Signed Just Months Before Electric Ladyland
June 1968 was the middle of Hendrix’s most ambitious year. Are You Experienced and Axis: Bold as Love had already made him one of the biggest acts in rock, and he was deep into the sessions that became Electric Ladyland, the double album released that October.
The contract documents the restructuring of Hendrix’s recording rights at exactly the moment his catalog was becoming one of the most valuable in popular music.
Authentication
Authenticated by Steve Grad, Reviewed by Roger Epperson
The Hendrix signature has been authenticated by Steve Grad and assigned an Autograph Grade of 9 (Cert. No. GA-05694). The document has also received an additional favorable review from Roger Epperson, one of the most recognized names in rock and roll autograph authentication.
The document’s contents, the parties it names, its date and its handwritten revisions also line up with the known history of the PPX settlement.
Collecting Significance
Why a Signed Hendrix Contract Stands Apart
Hendrix’s career as a major star lasted only about four years before his death in September 1970. Signed business documents from that period are far scarcer than signed albums or cut signatures.
This one pairs a full Hendrix signature with a document that shaped his recording career and names nearly every key figure in his early business story. It ranks among the most significant surviving Hendrix business documents to reach the marketplace.
Also in the Sale
Nearly 500 Lots in the Fall Historical Auction
The Hendrix contract headlines a deep run of music material in Weiss Auctions’ Fall Historical Auction, a sale of nearly 500 lots spanning rock and roll, music, presidential and other historical figures.
On the music side, the auction includes a large collection of vintage handbills, posters, tickets, shirts and instruments from the rock era and earlier, along with signed memorabilia from some of the biggest names in music history.
Music Autograph Highlights
Otis ReddingSigned cut
John LennonSigned cut
Johnny CashSigned hotel receipt
Also in the sale: a George Harrison signed album and many more music autographs.
Beyond music, the sale features presidential signed appointments, vintage fountain pens, tobacco jars and beer steins, plus an incredible group of NASA and aviation autographs including Neil Armstrong, Charles Lindbergh and Apollo crew-signed memorabilia. Much more is still to come.
Coming This Fall
Bid on the Hendrix Contract at Weiss Auctions
This signed Jimi Hendrix Warner Bros.-Seven Arts agreement will be offered in the Fall Historical Auction. Sale dates, lot numbers and bidding links will be added here as soon as the catalog is finalized.
It is an Artist Agreement dated June 24, 1968 between Warner Bros.-Seven Arts Records, Inc. and Jimi Hendrix, also known as The Jimi Hendrix Experience. It addresses recording obligations, master ownership, royalties and distribution rights, and was executed as part of the resolution of the PPX Enterprises dispute.
Did Jimi Hendrix sign this contract himself?
Yes. Hendrix signed in full on the execution page. The signature is authenticated by Steve Grad, Autograph Grade 9 (Cert. No. GA-05694), with an additional favorable review by music autograph expert Roger Epperson. The handwritten amendments and initials found throughout the document are in another hand.
What was the PPX Enterprises dispute?
In 1965, before he was famous, Hendrix signed a recording agreement with Ed Chalpin’s PPX Enterprises while playing with Curtis Knight. After Hendrix became a star, Chalpin maintained that the agreement still applied, leading to a dispute involving Warner Bros. and Capitol Records. It was resolved in 1968 through a Settlement Agreement referenced in this contract.
Who is named in the contract?
The contract references Warner Bros.-Seven Arts Records, PPX Enterprises, Edward Chalpin, Curtis Knight, Yameta Company Ltd., Michael Jeffery, Chas Chandler (as Bryan Chandler) and Capitol Records. It also references Hendrix’s earlier agreement with Sue Records.
Why are there Bahamas stamps on the contract?
Hendrix’s address on the contract is care of Yameta Co. Ltd. on Bay Street in Nassau, Bahamas, the company connected to his management at the time. Two original Bahamas stamps remain affixed to the opening page.
When will the Hendrix contract be auctioned?
The contract will be offered in Weiss Auctions’ Fall Historical Auction. Exact sale dates, lot numbers and direct bidding links will be added once the catalog is finalized.
What else is in the Fall Historical Auction?
The sale features nearly 500 lots, including vintage rock and earlier handbills, posters, tickets, shirts and instruments; signed music memorabilia such as an Otis Redding signed cut, a John Lennon signed cut, a George Harrison signed album and a Johnny Cash signed hotel receipt; presidential signed appointments; vintage fountain pens, tobacco jars and beer steins; and NASA and aviation autographs including Neil Armstrong, Charles Lindbergh and Apollo crew-signed memorabilia.
Now Accepting Consignments
Have Music Autographs, Documents or Memorabilia to Sell?
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A 1930s Through-the-Mail CollectionWith Signed Babe Ruth & Lou Gehrig Goudey Cards
Nearly a century after a young baseball fan mailed cards and autograph sheets across the country, his collection survives together, led by authenticated Hall of Fame signatures and two of the most important names in baseball history.
Vintage Baseball AutographsUpdated August 2026
The Collection
One Collector, One Mailbox, Nearly a Century of Survival
Long before autograph shows, private signings, authentication companies and online marketplaces, a young baseball fan built his collection with envelopes, stamps and patience.
Beginning in the 1930s, he mailed baseball cards and autograph sheets to players, teams, hotels, clubhouses and stadiums, hoping they would come back signed. Many did. What makes the group especially compelling today is not simply that the method was unusual. Through-the-mail collecting was already a familiar pastime among determined young fans. As a result, what’s remarkable is that so much of this material remained together across generations.
The collection now coming to Weiss Auctions includes signed Goudey and Diamond Stars cards, team-signed sheets and loose autographs from major stars and Hall of Famers. At its center sit signed Goudey cards of Babe Ruth and Lou Gehrig.
Quick Answer
What is this collection?
A young fan assembled this surviving 1930s through-the-mail baseball autograph collection by mailing cards and sheets to players and teams for signatures. The group includes signed Babe Ruth and Lou Gehrig Goudey cards, additional Hall of Fame cards, team-signed sheets and other period autographs.
Collecting History
What Does "Through the Mail" Mean in Autograph Collecting?
Through-the-mail autograph collecting, usually shortened to TTM, means sending an item to a player, team or venue and asking for it to be signed and returned. Collectors commonly mailed cards, government postcards, photographs, album pages or blank sheets and often included a self-addressed stamped envelope.
For fans who had little realistic chance to meet major-league players in person, the mail created a direct route to the game. In addition, team hotels, clubhouses and stadium offices all received fan correspondence, and the returned material could carry a genuine player signature, a signature someone supplied on the player’s behalf, or occasionally no signature at all.
Collection Highlights
Babe Ruth, Lou Gehrig and a Deep Roster of Hall of Famers
The headline pieces are the Ruth and Gehrig Goudey cards, which the collector preserved within his original TTM archive. The broader collection extends across 1930s card issues and team-signed sheets, including material associated with the New York Giants, Boston Red Sox, Pittsburgh Pirates and Brooklyn Dodgers.
Beyond those two headline cards, the larger group also includes Joe DiMaggio, Hank Greenberg, Paul and Lloyd Waner, Joe Medwick and other stars of the period.
Other Hall of Fame Highlights
Charlie GehringerSigned 1933 Goudey #222
Charlie RuffingSigned 1933 Goudey #56
Goose GoslinSigned 1933 Goudey #110
Mel OttSigned 1933 Goudey #207
Jimmie FoxxSigned 1934 Goudey #1
Carl HubbellSigned 1933 Goudey #230
Authentication
Not Everything Returned Through the Mail Was Player-Signed
Vintage TTM material has an important complication. Not every card or sheet that came back from a team or clubhouse carried the actual signature of the player named on the envelope. For example, high-volume stars sometimes had club employees, secretaries, attendants or others sign for them.
Collectors today often call these clubhouse or secretarial signatures. They are part of the history of fan-mail collecting, but they are not the player’s own handwriting.
Why third-party review matters
Independent authentication helps distinguish genuine player signatures from clubhouse, secretarial and other non-player examples.
PSA/DNA, JSA, and Beckett Authentication have authenticated most of the collection, and respected individual authenticators such as Steve Grad have authenticated other auction highlights, depending on the item.
Collecting & Value
What Gives a Vintage TTM Baseball Autograph Its Value?
Several factors beyond the signer’s identity influence value. Collectors also consider the item signed, the date and period of the signature, scarcity, visual presentation, condition, provenance and authentication.
Period-signed cards from this era are far less common than later signed-card material. In fact, collectors didn’t widely regard getting a card signed as worthwhile until relatively recently in the hobby’s history. For most of the 20th century, a signature could just as easily devalue a card in a collector’s eyes as add to it. As a result, a genuinely player-signed card from the 1930s is an unusual survivor: it only exists because a young fan cared enough to mail it off decades before that kind of thing was common practice, let alone prized.
Cut Signatures vs. Signed Cards
Why the card matters as much as the signature
The format the signature appears on makes a real difference. A Babe Ruth cut signature on its own can bring several thousand dollars at auction. However, a genuine Ruth signature on a card from his playing days can occupy a substantially different market because it combines two collecting categories that rarely intersect this cleanly.
Likewise, a period signature on an important baseball card can occupy a different market position from the same signature on an index card or later photograph. In the case of Ruth and Gehrig, a genuine signature appearing on a classic prewar Goudey card combines two collecting categories: landmark baseball cards and elite historical autographs.
In addition, provenance can add another layer. A group that remains together and can be understood as a single collecting archive provides context that an isolated autograph may not have. For researchers and collectors, that context can be as interesting as the individual signatures themselves.
Coming Fall 2026
See the Collection at Weiss Auctions
Weiss Auctions has scheduled the Ruth and Gehrig signed Goudey cards, together with additional material from the collection, for its Fall 2026 Sports Auction. We’ll add exact sale dates, lot numbers, authentication details, estimates and bidding links as we finalize the catalog. Much more is still to come, including additional Hall of Fame autographs.
The Fall 2026 auction will also include a separate, possibly unique handwritten note that Lou Gehrig composed entirely in German. Gehrig, the son of German immigrants, wrote the note to a young fan from a German immigrant family, giving the piece an unusually personal connection to his background.
The fan’s family lived near Paul Daube’s steakhouse, known as "The Dutchman," a New York gathering place associated with major-league players of the era, including Ruth and Gehrig. The family history provides useful context for how the young collector came into contact with New York baseball figures.
Frequently Asked Questions
Vintage Through-the-Mail Baseball Autographs
What does TTM mean in autograph collecting?
TTM stands for "Through the Mail." A collector mails an item to a player, team or venue with a request for an autograph and hopes to get the signed item back.
Are through-the-mail autographs authentic?
Some are genuine player signatures and some are not. Historically, busy players could have secretaries, clubhouse attendants or others sign fan mail on their behalf. Collectors should therefore evaluate important vintage TTM autographs individually.
What is a clubhouse or secretarial signature?
It is a signature that another person, such as a team employee, attendant or secretary, wrote on a player’s behalf. It may have come back through legitimate fan-mail channels, but it is not the player’s own handwriting.
Why are signed Babe Ruth and Lou Gehrig Goudey cards important?
Ruth and Gehrig are two of baseball’s most important historical figures, and Goudey cards are landmark prewar baseball collectibles. A genuine period autograph on a Goudey card combines major card collecting with vintage autograph collecting in one object.
How rare is a genuinely period-signed Babe Ruth or Lou Gehrig card?
Very rare. Collectors didn’t widely regard getting a card signed as worthwhile until relatively recently in the hobby’s history, so a genuinely player-signed card from the 1930s is an unusual survivor rather than a routine one. Format matters for value too: a Babe Ruth cut signature on its own can bring several thousand dollars at auction, while a genuine Ruth signature on a card from his playing days can occupy a substantially different market.
How are vintage baseball autographs authenticated?
Professional authentication firms such as PSA/DNA, JSA and Beckett, along with respected individual authenticators like Steve Grad, compare questioned signatures against known examples and evaluate characteristics such as letter formation, stroke habits, spacing, writing medium and period consistency. Their conclusions are opinions based on the evidence available.
What is the Lou Gehrig note written in German?
It’s a separate, possibly unique piece also coming to the Fall 2026 auction: a handwritten note that Lou Gehrig wrote entirely in German to a young Yankee fan whose family had also emigrated from Germany. That fan’s family lived near Paul Daube’s steakhouse, known as "The Dutchman," a legendary Yankee hangout frequented by Ruth, Gehrig and many of their teammates.
When will the Ruth and Gehrig cards be auctioned?
Weiss Auctions has scheduled the cards for its Fall 2026 Sports Auction. We’ll add exact sale dates, lot numbers and direct bidding links once we finalize the catalog.
Now Accepting Consignments
Have Vintage Sports Cards, Autographs or Memorabilia to Sell?
Weiss Auctions evaluates individual pieces and complete collections for upcoming sports auctions. Submit your material for a free preliminary auction evaluation.
Effective for all upcoming auctions, we’ve made a few changes to our buyer’s premium and payment terms. Here’s a quick summary of our current terms.
Here Are the Updated Terms
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A Golden Age Illustration Painting Comes to Auction
Nearly a century after it first appeared in a national magazine, an original oil painting by legendary American illustrator Dean Cornwell is heading to auction at Weiss Auctions. Cornwell painted the striking 27 by 50 inch canvas as the lead illustration for Sir Philip Gibbs’ short story "A Dragoman of Cairo." It depicts a tense scene of tourists and their guide in the Egyptian desert. The magazine published it in the August 1928 issue of Hearst’s International Combined with Cosmopolitan (Volume 85, No. 2, pages 52 to 53).
The painting comes from the estate of fellow illustrator Sol Korby, who acquired it directly from Cornwell. It carries a conservative pre-sale estimate of $5,000 to $10,000.
$5K–$10KPre-Sale Estimate
27 x 50 inOil on Canvas
About the Painting
Cornwell executed the painting in oil on canvas, and it measures approximately 27 by 50 inches. It retains its original scale and dramatic composition: a sun-bleached Mediterranean coastline crowded with figures in white linen and native dress, gathered around a table mid-conversation. The piece shows some small repairs and minor paint wear, both consistent with its age and its history as a working illustration rather than a painting created solely for gallery display.
Publishers of this era photographed illustrations for print, then often set them aside, damaged them, or lost them entirely. Because of this, a surviving, identifiable original like this one is especially significant to collectors and historians of American illustration.
The Story It Illustrated
Sir Philip Gibbs wrote "A Dragoman of Cairo." He was a British journalist, war correspondent, and novelist widely read in the 1920s and 1930s. The story follows a group of English and American tourists on a Mediterranean cruise. They make an overnight excursion into the Egyptian desert, guided by a local dragoman, or interpreter and guide, named Mustapha. Cornwell’s painting appeared as the lead illustration for the story, spanning pages 52 and 53 of the August 1928 issue.
Design historians consider Dean Cornwell (1892 to 1960) one of the most influential American illustrators of the 20th century. Collectors and historians still call him "the Dean of Illustrators." A student of Harvey Dunn and later Frank Brangwyn, Cornwell built a career illustrating for the era’s major magazines, including Cosmopolitan, Good Housekeeping, and American Magazine. He became equally celebrated for large-scale murals, including his work for the Los Angeles Central Library.
Collectors and historians still prize Cornwell’s illustrations for their dramatic use of light and shadow, dynamic compositions, and painterly, almost impressionistic brushwork. All of that is clearly on display in this piece. Demand for his original artwork remains strong today, and a Cornwell painting has realized $246,000 at auction.
Provenance
This painting comes to auction from the estate of Sol Korby (1924 to 2025). Korby acquired the work directly from Cornwell himself.
Sol Korby, Illustrator and Collector
Korby was a prominent New York-born illustrator in his own right. He began to draw as a child, and he continued even while serving in the Army during World War II. After the war, he studied at the Art Students League. From there, he built a prolific career in advertising and paperback cover art for publishers including Dell, Ace, Fawcett, and Avon.
A Second Career in Fine Art
Later in his career, Korby shifted his focus to fine art painting. He exhibited frequently, and he won awards at institutions including the Salmagundi Club, the American Artists Professional League, and the Pastel Society of America. A direct artist-to-illustrator provenance like this one adds significant weight and authenticity for collectors.
More Original Artwork From the Sol Korby Estate
Beyond his role in preserving this Cornwell painting, Sol Korby was an accomplished artist in his own right, and this sale includes a strong selection of his own original work. The estate features numerous paintings that Korby created over his long career, including many of the original works he painted for Bank Leumi’s 5748 (1987 to 1988) calendar.
Lot 107 — Sol Korby Albert Einstein Oil Painting
Korby’s calendar paintings and other fine art pieces reflect the same skill that earned him awards at the Salmagundi Club, the American Artists Professional League, and the Pastel Society of America. For collectors interested in 20th-century American illustration and fine art, this is a rare opportunity to acquire original Korby artwork alongside the Cornwell painting that came from his personal collection.
The canvas shows some small repairs and minor paint wear. Both are consistent with its age and its history as a working illustration, rather than a painting created solely for gallery display. The catalog listing includes full condition details, and interested bidders are welcome to reach out directly with questions.
Bidding Now Open
Now Available in Our July 29, 2026 Auction
This painting is now live in our July 29, 2026 auction, with a conservative pre-sale estimate of $5,000 to $10,000. View the full lot, including images and a condition report, in the catalog, or browse additional original artwork from the Sol Korby estate.
Yes. Cornwell painted it as the lead illustration for Sir Philip Gibbs’ short story "A Dragoman of Cairo." The magazine published it in the August 1928 issue of Hearst’s International Combined with Cosmopolitan (Volume 85, No. 2, pages 52 to 53). You can view the story and Cornwell’s illustration as originally printed through the Internet Archive’s digitized copy of the magazine.
Who was Dean Cornwell?
Dean Cornwell (1892 to 1960) was one of the most influential American illustrators of the 20th century, known as "the Dean of Illustrators." He illustrated for major magazines including Cosmopolitan, Good Housekeeping, and American Magazine. He is also celebrated for large-scale murals, including his work for the Los Angeles Central Library. A Cornwell painting has realized $246,000 at auction.
What is the pre-sale estimate for this painting?
The painting carries a conservative pre-sale estimate of $5,000 to $10,000.
What is the provenance of this painting?
The painting comes from the estate of illustrator Sol Korby (1924 to 2025), who acquired it directly from Dean Cornwell. Korby had his own prolific career in advertising and paperback cover art before he shifted to fine art painting later in life.
Are there other artworks from the Sol Korby estate in this sale?
Yes. In addition to the Cornwell painting, the sale includes a strong selection of Sol Korby’s own original artwork, including many of the paintings he created for Bank Leumi’s 5748 (1987 to 1988) calendar. You can view the complete group of Korby estate lots at weiss.auction.
This painting is now live in the Weiss Auctions July 29, 2026 auction. View the full lot and place your bid at weiss.auction. You can also contact us at info@weissauctions.com or (516) 594-0731 to arrange telephone bidding.
How do I sell original illustration art like this?
Contact Weiss Auctions for a free, no-obligation appraisal. We are actively seeking consignments of American illustration art and Golden Age magazine paintings for upcoming sales. Reach us at info@weissauctions.com, by phone at (516) 594-0731, or through our consignment page.
Now Accepting Consignments
Have Original Illustration Art by Dean Cornwell or Other Golden Age Artists?
Weiss Auctions is actively seeking original illustration paintings, published magazine art, and works by Golden Age American illustrators for upcoming sales. Free appraisals with no obligation.
Game-Worn Jordan, The Locker Room Collection, and Much More
Weiss Auctions’ May 28, 2026 Sports Cards and Memorabilia sale has concluded. The auction was anchored by “The Locker Room Collection,” a featured collection of firsthand game-worn material obtained directly from athletes and led by Michael Jordan’s game-worn Air Jordan VIII sneakers from Game 5 of the 1993 Eastern Conference Finals. The sale also included early baseball postcards, Yankees historical documents, Roberto Clemente signed cards, Kobe Bryant signed rookie material, boxing memorabilia, non-sports cards including Pokemon, and much more across baseball, basketball, boxing, and beyond.
Built by a longtime member of the media with direct locker room and clubhouse access from the 1970s through the present day, The Locker Room Collection represents something increasingly rare in today’s hobby: material obtained firsthand, directly from the athletes themselves, and preserved together ever since. These are not pieces that passed through multiple collections. They come with a clear and personal story from the moment they left the field, court, or locker room.
At the center of Part I is Michael Jordan’s game-worn Air Jordan VIII sneakers from Game 5 of the 1993 Eastern Conference Finals at Madison Square Garden, a game in which Jordan recorded one of only two playoff triple-doubles of his career, finishing with 29 points, 10 rebounds, and 14 assists. Beyond the centerpiece, the collection spans game-worn shoes from Shaquille O’Neal, Tim Hardaway, and Grant Hill; game-used and signed bats from Tony Gwynn, Joe Carter, and Ozzie Smith; signed cleats from Andre Dawson, Doc Gooden, and Darryl Strawberry; and a 1991-92 Chicago Bulls team-signed basketball representing one of the most celebrated championship rosters in NBA history.
Early Baseball Postcards Including the 1907 Wolverine News Ty Cobb
A group of early baseball postcards fresh to market from a West Coast estate, where they had been displayed on the walls of a collector’s home since the early 20th century. The highlight is a 1907 Wolverine News Company Detroit Tigers Ty Cobb “Batting” postcard, graded PSA 1, one of only 12 graded by PSA with only 7 graded higher. The Wolverine News issue is considered one of Cobb’s earliest cards, predating his well-known T206, and was produced to coincide with the Tigers’ 1907 World Series appearance. The group also includes additional cards from the same set, plus rare 1908 Chicago Cubs and White Sox postcards.
A strong group of Yankees-related documents including original 1921 Yankee Stadium engineering drawings, a Thurman Munson signed 1969 Puerto Rico player contract, a 1934 Yankees team-signed baseball, and 1942 production storyboards from Pride of the Yankees.
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Michael Jordan Memorabilia
Beyond the Locker Room Collection, the auction features several additional Jordan pieces including a signed baseball jersey, a signed basketball, original Space Jam advertising artwork, a PSA 9 graded 1986 Fleer rookie card and more.
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Roberto Clemente Signed Topps Cards
Multiple signed Clemente Topps cards. Signed examples on cardboard are genuinely scarce and rarely come up together in a single sale.
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Kobe Bryant Signed SI Kids Rookie Card Uncut Sheet
A signed uncut sheet from Bryant’s rookie year alongside Allen Iverson and Kerry Kittles. A possibly unique signed card that stands entirely apart from standard signed card offerings.
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Boxing Memorabilia
Exceptional boxing memorabilia spanning the sport’s most recognized eras and fighters, drawn from multiple great collections.
Signed Hall of Fame Plaques Including Roy Campanella
Multiple signed HOF plaques including a Roy Campanella example, alongside additional signed plaques from across multiple sports.
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Non-Sports Cards Including Pokemon
A collection of vintage and modern non-sports cards including Pokemon cards, with some CGC graded examples.
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19th Century Scrapbook Featuring Complete N28 Allen & Ginter Champions Cutouts
A period scrapbook with a complete set of N28 Allen and Ginter Champions cutouts, a remarkable survival from the earliest days of the American card hobby.
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1964 O-Pee-Chee Beatles BBCE Sealed Wax Box
A sealed wax box from 1964, BBCE certified. An increasingly scarce item for non-sports card collectors.
And Much More
The full catalog included complete and partial baseball, basketball, and football card sets; single graded cards; rare signed cards; and additional signed Hall of Fame plaques across multiple sports. View final results for every lot at weiss.auction/auctions/1832891/lots.
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Atoms for Peace · Exploring the Universe · Sold and Coming Soon at Weiss Auctions
Among the Most Important Graphic Design Posters of the 20th Century
Weiss Auctions sold ten original Erik Nitsche General Dynamics posters in our November 2025 sale from a private collection, with individual results ranging from $738 to $2,832 including buyer’s premium. Additional examples from the same collection will be offered in our upcoming Summer Estate Sale. These are among the most significant and sought-after posters in the vintage poster market: large-format Swiss lithographs produced between 1955 and 1961 that are now regarded as icons of mid-century modernist graphic design and among the finest examples of corporate poster art ever produced in America.
If you own Erik Nitsche General Dynamics posters and are considering selling, contact us for a free appraisal. We are actively seeking consignments of original Nitsche posters for future sales.
The Artist
Who Was Erik Nitsche?
Erik Nitsche (1908 to 1998) was a Swiss-born graphic designer who studied in Lausanne and Munich and worked in Cologne and Paris before emigrating to the United States in 1934. In America, he built a career in editorial design, contributing to publications including Vanity Fair, Life, and Look, as well as the technical aviation magazines Air Tech and Air News. He was one of a generation of European-trained designers who fundamentally changed the direction of American graphic design in the postwar period.
In 1955, Nitsche was appointed Art Director for General Dynamics, a position he held through 1960. The body of work he produced in those five years, a series of large-format lithographic posters printed in Switzerland by R. Marsens of Lausanne, became the most celebrated corporate poster campaign of the 20th century. Design historians and critics have consistently described the General Dynamics series as one of the most impressive corporate identity campaigns ever produced, and as a defining example of what has come to be known as the Atomic Style of the mid to late 1950s.
Nitsche’s work for General Dynamics is held in the collections of the Museum of Modern Art in New York and has been exhibited internationally. His approach, described by design writer Steven Heller as an “artful futurism,” was widely copied by other designers of the era and remains visually striking and immediately recognizable today.
The Commission
General Dynamics and the Challenge of Atomic Energy Advertising
General Dynamics was incorporated in 1952 as the parent company of ten different manufacturing firms including Electric Boat, Canadair, Convair, General Atomic, and Stromberg-Carlson. Its products ranged from nuclear-powered submarines to supersonic jet bombers to commercial aircraft. In 1955, only a decade after Hiroshima and Nagasaki, the company faced a significant communications challenge: it needed to promote its work in nuclear energy at the first International Conference on the Peaceful Uses of Atomic Energy in Geneva without triggering public anxieties about atomic weapons, and without being able to reveal classified products or programs.
Nitsche’s solution was to create posters that were entirely abstract. No products, no machines, no technical diagrams. Instead, he visualized concepts: atomic forces, cosmic energy, the nature of matter and light. The result was a series of images that felt simultaneously scientific and poetic, modern and timeless. The Geneva conference was a significant opportunity for General Dynamics to elevate its standing among major American technology firms including General Electric, Union Carbide, and Westinghouse, and the Nitsche posters delivered exactly that.
The Complete Series
The Four Series of General Dynamics Posters by Erik Nitsche
Nitsche designed a total of 34 General Dynamics posters in Swiss Weltformat (approximately 50 by 36 inches), plus six smaller format posters for a 1961 exhibition. They were produced across three major campaigns and a final exhibition series.
Series 1: Atoms for Peace (1955 and 1956)
The first and most celebrated series, originally produced for the 1955 International Conference on the Peaceful Uses of Atomic Energy in Geneva. The eleven posters were printed in multiple languages including English, French, German, Hindi, Japanese, Russian, Arabic, Italian, and Sanskrit. Titles include Atoms for Peace, Astrodynamics, Electrodynamics, Hydrodynamics, Nucleodynamics, Aerodynamics, Solar Dynamics, Radiation Dynamics, Servodynamics, Basic Forces, and Electronic Intelligence. Our November 2025 sale included the Electronic Intelligence / Stromberg-Carlson poster from this series, which realized $1,711 including buyer’s premium.
Series 2: Exploring the Universe (1957 and 1958)
A second series of seven posters created for the second International Conference on the Peaceful Uses of Atomic Energy in Geneva in September 1958. Each poster carries the header “Exploring the Universe” and depicts a specific area of scientific research. In more earthy and restrained colors than the first series, the Exploring the Universe posters are considered by many collectors to be the most visually powerful of the entire campaign. Titles include Weather Control, Nuclear Fusion, Subatomic Worlds, Worlds Without End, Space Dynamics, and Triga.
Series 3: General Dynamics Divisions (1959 and 1960)
The third series promoted individual divisions and subsidiaries of General Dynamics. Our November 2025 sale was heavily represented by this series and demonstrated strong collector demand across the board. The Building Materials / Material Service poster, with its Bauhaus-inspired geometric grid in primary colors, was the top performer at $2,832 including buyer’s premium — tied with the Convair 880 rainbow loop variant, which also realized $2,832. The Undersea Frontiers / Electric Boat poster realized $2,065, and Energetic Earth / Material Service brought $1,947. Other division posters in the sale included Industrial Gases / Liquid Carbonic ($914), Medical Gases / Liquid Carbonic ($738), Triga Around the World / General Atomic ($738), and CL-44 Canadair Air Cargo ($944). The Convair 880 / World’s Fastest Jetliner globe variant realized $1,151.
Dynamic America Exhibition at Rockefeller Plaza (1961)
The final series of six smaller format posters was produced for General Dynamics’ Dynamic America retrospective exhibition at Rockefeller Plaza in New York in 1961. These are less commonly seen at auction than the large-format Weltformat series and are sought after as companion pieces by collectors assembling the complete Nitsche canon.
The Market
What Are Erik Nitsche General Dynamics Posters Worth?
Original Erik Nitsche General Dynamics posters are actively traded at auction and on the private market. Most examples sell in the $1,000 to $3,000 range including buyer’s premium, and rarer titles or uncommon language variants can fetch even higher prices.
Condition is a significant factor. The posters were printed on thin paper and many examples show edge tears, repaired corners, pinholes, and creases from decades of storage or display. Examples in better condition with minimal restoration command the strongest prices. The language variant also matters: English language examples are the most common, while Sanskrit, Hindi, and Arabic variants are considerably scarcer and attract premium prices from advanced collectors.
The General Dynamics posters have been acquired by major museum collections including the Museum of Modern Art in New York, which holds examples in its permanent collection. Museum acquisition is generally the strongest signal of long-term value in the vintage poster market, and the Nitsche series has shown consistent collector demand at auction for decades.
Coming Soon
More Nitsche General Dynamics Posters in Our Summer Estate Sale
Additional original Erik Nitsche General Dynamics posters from the same private collection will be offered in our upcoming Summer Estate Sale. These represent a genuine opportunity for collectors looking to add specific titles or build toward a more complete representation of the series. Full lot details, condition reports, and images will be published in the catalog ahead of the sale.
Register to bid now to be ready when the catalog goes live, or contact us to be notified directly when specific titles are confirmed.
Erik Nitsche General Dynamics Posters · Weiss Auctions
How many General Dynamics posters did Erik Nitsche design?
Erik Nitsche designed 34 General Dynamics posters in large Swiss Weltformat (approximately 50 by 36 inches), plus six smaller format posters for the 1961 Dynamic America exhibition at Rockefeller Plaza in New York. The 34 large-format posters were produced across three series: Atoms for Peace (1955 and 1956), Exploring the Universe (1957 and 1958), and the General Dynamics Divisions series (1959 and 1960).
What are Erik Nitsche General Dynamics posters worth at auction?
Most original Erik Nitsche General Dynamics posters sell in the $1,000 to $3,000 range including buyer’s premium, depending on the title, series, condition, and language variant. Rarer titles and uncommon language variants including Sanskrit, Hindi, and Arabic can fetch even higher prices. At Weiss Auctions, ten examples sold in November 2025 with results ranging from $738 to $2,832 including buyer’s premium.
What is the Atoms for Peace poster series?
Atoms for Peace is the first and most celebrated series of General Dynamics posters by Erik Nitsche, produced in 1955 for the first International Conference on the Peaceful Uses of Atomic Energy in Geneva. The eleven posters were printed in multiple languages including English, French, German, Hindi, Japanese, Russian, Arabic, Italian, and Sanskrit. The series was designed to promote atomic energy as a tool for peace, with each poster depicting an abstract concept rather than a product, because General Dynamics was not permitted to reveal classified projects or programs at the conference.
Are General Dynamics posters in museum collections?
Yes. Original Erik Nitsche General Dynamics posters are held in the permanent collection of the Museum of Modern Art in New York, as well as in other institutional collections internationally. Museum acquisition is widely considered one of the strongest indicators of lasting collectible value in the vintage poster market.
Where were the General Dynamics posters printed?
The large-format General Dynamics posters were printed in Switzerland by R. Marsens of Lausanne, with some later examples printed by A. Dupertuis, also of Lausanne. The posters were produced in Swiss Weltformat, approximately 50 by 36 inches. The Swiss printing credit is typically found printed in the lower margin of each poster.
Does Weiss Auctions have Erik Nitsche General Dynamics posters for sale?
Yes. Weiss Auctions sold ten original Erik Nitsche General Dynamics posters in November 2025 and will be offering additional examples in an upcoming Summer Estate Sale. Register to bid at weiss.auction/bidder/start or view upcoming lots at weiss.auction/auctions.
How do I sell original Erik Nitsche or General Dynamics posters?
Contact Weiss Auctions for a free, no-obligation appraisal. We are actively seeking consignments of original Nitsche General Dynamics posters for upcoming sales. Reach us at info@weissauctions.com, by phone at (516) 594-0731, or through our consignment page.
Weiss Auctions is actively seeking original Erik Nitsche General Dynamics posters and other vintage mid-century modern and corporate design posters for upcoming sales. Free appraisals with no obligation.
A Photo-Matched Artifact from One of Jordan’s Greatest Playoff Performances
Weiss Auctions is proud to present a remarkable piece of modern basketball history: a pair of game-worn Air Jordan VIII sneakers worn by Michael Jordan during Game 5 of the 1993 Eastern Conference Finals where the New York Knicks faced off against the Chicago Bulls.
This was not just another playoff appearance. Instead, it became one of the most complete and dominant postseason performances of Jordan’s career, helping define the Bulls’ first dynasty.
Game-Worn Air Jordan VIII Sneakers — Worn by Michael Jordan, June 2, 1993
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Points
10
Rebounds
14
Assists
The Game: June 2, 1993 at Madison Square Garden
Game 5 of the 1993 Eastern Conference Finals was played at Madison Square Garden, with the series tied 2-2 between the Bulls and the Knicks.
With momentum and pressure at their peak, Jordan delivered one of only two playoff triple-doubles of his entire career, finishing with 29 points, 10 rebounds, and 14 assists.
“Ewing for Smith… Smith! Smith! Smith! Smith!”
Marv Albert’s Iconic Call
A Defining Moment of the Bulls’ Dynasty
This game is forever tied to Marv Albert’s iconic call as the Bulls denied Charles Smith repeatedly at point-blank range in the final seconds.
Moments later, Jordan secured the loose ball and passed ahead to B.J. Armstrong, whose basket sealed the victory. The Bulls took a decisive 3-2 series lead and went on to win their third consecutive NBA Championship.
The pair has been positively photo-matched by SIA Photo Match to images taken during Game 5, firmly establishing their use in this historic contest.
This level of authentication provides collectors with absolute certainty regarding the game, date, and usage of these sneakers.
Provenance
The shoes were obtained by the current owner, a longtime sports reporter and close personal friend of Charles Oakley and Michael Jordan. Oakley frequently received game-worn shoes directly from Jordan, even when competing against him.
This direct chain of custody, combined with professional photo-matching, provides unparalleled provenance for this historic artifact.
These shoes are part of The Locker Room Collection — a group of firsthand game-worn material obtained directly from athletes, presented at Weiss Auctions for the first time in May 2026.
Condition and Preservation
As is typical of Michael Jordan game-worn shoes from this era, the polyurethane composite used in the midsoles has naturally degraded over time. The sneakers have advanced separation between the midsoles and outsoles.
However, professional restoration remains an option for the winning bidder and could significantly enhance long-term stability and display.
Bidding Now Open
Now Available in the May 28 Auction Catalog
This photo-matched pair is now live in our May 28, 2026 Sports Cards and Memorabilia auction. View the full lot with images, description, and bidding information in the catalog.
These sneakers were worn by Michael Jordan on June 2, 1993 during Game 5 of the 1993 Eastern Conference Finals at Madison Square Garden. Jordan delivered one of only two playoff triple-doubles of his career that night, finishing with 29 points, 10 rebounds, and 14 assists. The Bulls won 3-2 and went on to their third consecutive NBA Championship.
How were these shoes authenticated?
The pair has been positively photo-matched by SIA Photo Match to game images taken during Game 5 of the 1993 Eastern Conference Finals, confirming their use in this specific contest. Photo-matching is the gold standard in game-worn authentication, providing collectors with absolute certainty regarding the game, date, and player usage.
What is the provenance of these shoes?
The shoes were obtained by the current owner, a longtime sports reporter and close personal friend of Charles Oakley. Oakley frequently received game-worn shoes directly from Jordan, even when competing against him. This direct chain of custody combined with professional photo-matching provides exceptional provenance. These shoes are part of The New York Locker Room Collection.
What is the condition of the shoes?
As is typical of Air Jordan game-worn shoes from this era, the polyurethane composite used in the midsoles has naturally degraded over time, resulting in separation between the midsoles and outsoles. Professional restoration remains an option for the winning bidder and could significantly enhance long-term stability and display.
Does Weiss Auctions handle other game-worn memorabilia?
Yes. Weiss Auctions regularly handles high-grade sports memorabilia including game-worn items, signed pieces, and graded cards from basketball, baseball, football, and beyond. If you have Michael Jordan memorabilia or other significant sports collectibles to sell, contact us for a free, no-obligation appraisal.
Now Accepting Consignments
Have Sports Memorabilia to Sell?
Weiss Auctions specializes in high-value sports memorabilia including game-worn items, signed pieces, vintage cards, and complete collections. Free appraisals with no obligation. Consignment terms among the lowest in the industry.
Charles Schulz Peanuts Original Artwork at Auction
Dailies, Sundays, and Drawings · Sold at Weiss Auctions · More Coming Soon
Recent Results and Upcoming Peanuts Original Artwork
Weiss Auctions has a long track record selling original Charles M. Schulz artwork at auction, including Peanuts daily strips, Sunday pages, Li’l Folks drawings, and signed sketches. Two signed Peanuts dailies sold in our April 30, 2026 sale, and an exceptional original Peanuts Sunday page is coming up in an upcoming auction.
Coming Soon
Original Peanuts Sunday Page: Upcoming Auction
An original Peanuts Sunday page by Charles M. Schulz will be offered in an upcoming Weiss Auctions sale. Sunday pages are larger, more elaborately composed, and significantly rarer than dailies. They represent Schulz at his most expansive and are among the most desirable pieces in the Peanuts original art market. Sunday pages have brought significantly more than dailies at auction depending on date and subject matter, and this is a particularly fine example. Full catalog details will be announced shortly.
Original Peanuts Sunday page by Charles M. Schulz, coming soon to Weiss Auctions
Our April 30, 2026 Books and Works on Paper auction included two exceptional fresh-to-market original Peanuts daily comic strips by Charles M. Schulz, both signed, both from the most sought-after era of the strip’s run. Both performed strongly against their $20,000 to $30,000 pre-sale estimates. Prices below include the 18% buyer’s premium.
Two original signed Peanuts daily strips by Charles M. Schulz, sold at Weiss Auctions, April 30, 2026
Lot 200B · $24,190 including buyer’s premium
1955 Peanuts Daily "AAUGHH!" dated August 24, 1955
An original early four-panel Peanuts daily strip dated August 24, 1955, featuring Lucy and Linus in one of the strip’s early philosophical exchanges. Lucy wonders aloud whether giants may be watching humans the same way humans watch ants, prompting Linus’s unforgettable reaction in the final panel: "AAUGHH!" Signed by Schulz in the final panel and additionally inscribed in the third panel, "To Kay from Charles M. Schulz." Dating to the formative early years of Peanuts. Pre-sale estimate: $20,000 to $30,000.
Lot 200C · $26,550 including buyer’s premium
1959 Peanuts Daily "Character Traits" dated January 1, 1959
An original New Year’s Day four-panel Peanuts daily strip dated January 1, 1959, featuring Lucy presenting Linus with a lengthy list of his faults, only for Linus to deliver the classic punchline: "These are character traits!" Signed by Schulz in the last panel. A superb vintage Peanuts daily from the late 1950s, capturing Lucy’s sharp personality and Linus’s thoughtful wit at their best. Pre-sale estimate: $20,000 to $30,000.
What Is Original Charles Schulz Peanuts Artwork Worth?
Original Charles M. Schulz artwork is among the most consistently sought-after material in the original comic art market. Schulz drew Peanuts for nearly 50 years, producing over 17,000 strips, but the supply of original artwork available to collectors is far smaller than that figure suggests. Much has been donated to institutions, resides in long-held private collections, or was never retained by the families who received it as gifts.
At auction, original signed Peanuts daily strips have sold in the range of $15,000 to well in excess of $50,000 including buyer’s premium, depending on date, characters, content, condition, and provenance. Sunday pages can bring significantly more than dailies, in some cases substantially so, depending on the date and subject matter. The earliest material from the 1950s consistently achieves the strongest prices, particularly when fresh to market.
Early Li’l Folks drawings, which predate the Peanuts strip and represent Schulz’s first published work, are among the rarest items in the category. Weiss Auctions has sold examples across all of these types over many years.
PBS Antiques Roadshow
Phil Weiss and Charles Schulz Peanuts on Antiques Roadshow
Phil Weiss has appeared on PBS Antiques Roadshow appraising Charles Schulz Peanuts original artwork. In one memorable segment, Phil encountered a guest who had worked directly with Schulz for 12 years developing the Hallmark Peanuts greeting card line, bringing in an extraordinary collection of original strips created specifically for that partnership. That collection ultimately made its way to the Charles M. Schulz Museum in Santa Rosa, California.
In a separate segment, Phil evaluated a signed 1955 Peanuts daily strip, discussing the market for early Schulz dailies and the factors that affect value: condition, date, characters, and freshness to market.
Weiss Auctions has sold millions of dollars worth of original Charles M. Schulz artwork over more than four decades, including Peanuts daily strips, Sunday pages, Li’l Folks drawings, and original sketches. We have handled significant collections and individual pieces from across the full span of Schulz’s career and bring deep familiarity with this specific market to every consignment we accept.
If you own original Schulz artwork and are considering your options, we welcome the conversation. Free appraisals with no obligation.
Frequently Asked Questions
Charles Schulz Original Artwork · Weiss Auctions
How much does original Charles Schulz Peanuts artwork sell for at auction?
Original signed Peanuts daily strips by Charles M. Schulz have sold in the range of $15,000 to well in excess of $50,000 at auction including buyer’s premium. The range depends on date, characters, condition, inscription, and provenance. Sunday pages can bring significantly more than dailies depending on the date and subject matter. The strongest results consistently come from early 1950s material fresh to market. Weiss Auctions has sold millions of dollars of original Schulz artwork across decades of sales.
What is the difference between a Peanuts daily strip and a Sunday page?
Peanuts daily strips are the black-and-white four-panel strips Schulz drew six days a week. Sunday pages are the larger, full-color multi-panel pages produced separately for Sunday newspaper editions. Sunday pages are physically larger, compositionally more complex, and considerably rarer on the open market than dailies, and they typically bring higher prices at auction.
What are Li’l Folks drawings by Charles Schulz?
Li’l Folks was Charles Schulz’s single-panel cartoon feature published in the St. Paul Pioneer Press from 1947 to 1950, before Peanuts launched nationally. These drawings are among the earliest and rarest examples of Schulz’s published work and are highly sought after by serious collectors. Weiss Auctions has handled Li’l Folks drawings at auction.
Does Weiss Auctions have upcoming Charles Schulz artwork for sale?
Yes. An original Peanuts Sunday page by Charles M. Schulz will be offered in an upcoming sale. Sunday pages are among the most desirable pieces in the Peanuts original art market. Register to bid at weiss.auction/bidder/start or view all upcoming lots at weiss.auction/auctions.
How do I sell original Charles Schulz or Peanuts artwork at auction?
Contact Weiss Auctions for a free, no-obligation appraisal. We have sold millions of dollars of original Peanuts and Li’l Folks artwork over more than four decades. Reach us at info@weissauctions.com, by phone at (516) 594-0731, or through our consignment page.
Weiss Auctions is actively seeking consignments of original Peanuts strips, Sunday pages, Li’l Folks drawings, signed sketches, and related Schulz material. Free appraisals with no obligation.